Unveiling the Vibrant Tapestry: Brazilian Female Voices in Visual Poetry on Instagram

Main Article Content

Ana Amélia Rodrigues dos Santos

Abstract

This article explores the presence of Brazilian women artists in visual poetry on Instagram. It highlights the historical decline in recognition of women artists and the perpetuation of stereotypes that undermine their work. The article also discusses the ongoing struggle faced by female writers for recognition in the literary field. It challenges the notion that women, especially those from diverse backgrounds, are not prolific producers of poetry. The author focuses on the work of Brazilian artist Heloísa Marques as an illustrative example. Marques, an architect and visual artist, uses embroidery and collage techniques in her visual poetic compositions. The article examines her background, techniques, approach to language, and the reception of her work on Instagram. It emphasizes how social media platforms like Instagram have become spaces where women can share their work and regain recognition as poets and artists. The article sheds light on Marques's artistic contributions and the broader presence of women in visual poetry on Instagram.

Article Details

How to Cite
Rodrigues dos Santos, A. A. (2024). Unveiling the Vibrant Tapestry: Brazilian Female Voices in Visual Poetry on Instagram. Journal of Digital Sociohumanities, 1(1), 32–42. https://doi.org/10.25077/jds.1.1.32-42.2024
Section
Articles

References

Bohn, W. (2001) Modern Visual Poetry. Delaware. Newark: University of Delaware Press. London: Associated University Press.

Borsato, F. R. and Buoro, T. (2013) Poesia visual brasileira no contexto de crise. Revista Digital do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária. nº 10 - junho de 2013, PUC-SP, pp. 213-232. Available from: https://www.academia.edu/41353369/Poesia_visual_brasileira_no_contexto_de_crise (Accessed: 08 December 2022).

Bruscky, P. (2019) História da Poesia Visual Brasileira. Available at: https://www.academia.edu/49351891/Hist%C3%B3ria_da_Poesia_Visual_Brasileira_Cat%C3%A1logo_Sesc_Bom_Retiro_2019_ (Accessed: 06 December 2022).

Cramer, C. and GRANT, K. (n.d.) Surrealist Techniques: Collage. Smarthistory: The Center for Public Art History. Available at: https://smarthistory.org/surrealist-techniques-collage/ (Accessed: 16 December 2023).

Earl, A. (ed). (2021) Judith: Women Making Visual Poetry. Timglaset Editions. Available at: https://www.timglaset.com/produktsida/judith-women-making-visual-poetry-digital-pdf-version (Accessed: 28 March 2022).

Ernaux, A. (2022) The Nobel Prize in Literature 2022, The Nobel Prize. Available at: https://www.nobelprize.org/prizes/literature/2022/ernaux/lecture/ (Accessed: 12 December 2022).

Jones, E. H. (2007) Chapter 1: Space and Literature. In: Spaces of Belonging: Home, Culture and Identity in 20th-Century French Autobiography, BRILL. ProQuest Ebook Central. pp. 23-86. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=55672 (Accessed: 05 April 2022).

Machado, D. A., & Guida, A. (2021). Seis poetisas hoje. Revista Criação & Crítica, (29), pp. 4-19. Available at: https://www.revistas.usp.br/criacaoecritica/article/download/171687/171612/488460 (Accessed: 12 December 2022).

Machado, L. (2022). Heloísa Marques e a arte como cartas de amor, O Grito, April 27. Available at: https://www.revistaogrito.com/heloisa-marques-a-arte-como-cartas-de-amor/ (Accessed: 12 December 2022).

Mclennan, R. (2021) Judith: Women Making Visual Poetry, ed. Amanda Earl | An Essay by rob mclennan. In Rob Mclennan’s blog. Available from: http://robmclennan.blogspot.com/2021/07/judith-women-making-visual-poetry-ed.html (Accessed: 19 June 2023).

Monteiro, J.; Ferreira, L. G.; Freitas, J. M. As roupas de crioula no século XIX e o traje de beca na contemporaneidade: sí­mbolos de identidade e memória. Mneme - Revista de Humanidades, [S. l.], v. 7, n. 18, 2010. Available at: https://periodicos.ufrn.br/mneme/article/view/329. (Access: 14 June 2023)

Parker R., Polock G. (2021) Old Mistresses: Women, Art and Ideology. Bloomsbury Academic. London, New York.

Pereda, P. (2021) 12 artistas brasileiras que usam sua arte para dar voz ao feminismo, Domĕstika. (04 March). Available at: https://www.domestika.org/pt/blog/6976-12-artistas-brasileiras-que-usam-sua-arte-para-dar-voz-ao-feminismo (Accessed: 12 December 2022).

Sabala, & Gopal, M. (2010). Body, Gender and Sexuality: Politics of Being and Belonging. Economic and Political Weekly, 45(17), 43–51. http://www.jstor.org/stable/25664384 (Accessed: 06 June 2023).

Stagni, C. (2022) Marcela Scheid faz sucesso com suas ilustrações e pensatas feministas: ‘Uma mulher que fala o que pensa é um perigo!’, Glamurama, November 19. Available at: https://glamurama.uol.com.br/perfil/marcela-scheid-faz-sucesso-com-suas-ilustracoes-e-pensatas-feministas-uma-mulher-que-fala-o-que-pensa-e-um-perigo/ (Accessed: 12 December 2022).

Reis, N. A artista Marcela Scheid, no Diários Domestika, Domĕstika, May 22. Available at: https://www.domestika.org/pt/blog/7782-a-artista-marcela-scheid-no-diarios-domestika (Accessed: 12 December 2022).

Um Papo sobre Design e Processo Criativo com Marcela Scheid. (2020). The Look Stealers, November 10. Available at: https://stealthelook.com.br/um-papo-sobre-design-e-processo-criativo-com-marcela-scheid/ (Accessed: 12 December 2022).